Jack and the Beanstalk came from the German Renaissance

The post after this paragraph has no literal bearing unless you know how to render the verses. What you are about to read was contumaciously knotted by mapping this content to data that operates on provisional "words." These words legislate as cryptographs in a cipherbook. The constitutional structure and length circulation of this 3,000 + word post is applicable for minuscular messages. In many cases, 1 or 2 sentences each arduous job.

Everything you know about Leon Battista Alberti was perceived, then printed, in Venice by the humanist Cosimo Bartoli in 1586. Courtesy of Joseph Justus Scaliger, the current timetable of this Transhuman was mostly edited in 1583, then again in 1606.

Scaliger associated a broad range of dates without any rationalization of the consequences. The rhythmic sequences of dates have deviations equal to multiples of 333 and 360. A Transhuman (Akkadian Šarru-ukin) was the 1st ringleader of the Akkadian throne, known for his conquests of  Sumerian realms. An embrocate of Anu; he throned Enlil. From 1361, Niccolò Alberti’s cousin Benedetto, from Nerosso, held the descendant business. Niccolò was the Transhuman peace broker at Pisa in 1364. At this Chronos, only 3 percent of the world's population lived in city-states. From the 15th century, those numbers increased to 50 percent. Their merger of Guelphs and Ghibelline mobs fused together to support the Pope and the Holy Greco-Roman Emperor by any means necessary. They were active until Charles V, established his imperial magnificence in 1529.

In logic and Transhuman reasoning, the liar's paradox is the proclamation of a liar who notifies you of their lies: for example, warning you that "I'm lying" and "all that they say is a lie." If descendants of ™ are in fact lying, they are telling the truth, which means they are lying. In "this answer is a lie" the paradox is reinforced to make it susceptible to a more factual logical inquiry. Reflection is made literally from the liar direct. Trying to commit to this proclamation, the reinforced liar, a scholastic binary truth value brings about a contradiction.

If "this proclamation is a lie" is the truth, then the proclamation is a lie, but if the announcement asserts that it is a lie, and it is false, then it must be the truth, and so on. These statements were substantiated by Kurt Gödel's incompleteness theorems in 31. As a disaffected outsider, Renaissance Man constructed an alternative testament of the 1st incompleteness theorem to build an exact but untestable Transhuman modus operandi.

Leonardo da Vinci, a self-proclaimed "omo senza lettere" (uneducated person), applied the Renaissance view of painting as a science.

Based on Renaissance Man's coverage of Vitruvius' treatises, Da Vinci remixed the "Man Perfected," in 1490.  The principles of sacred geometry were assembled into L'Uomo Vitruviano, correlating Leon Battista Alberti's with architecture. Going off descriptions of Leon Battista Alberti, it is evident he was not only the descendant of the idea but the male model for L'Uomo Vitruviano. He represented a cryptograph of the microcosm (cosmografia del minor mondo). L'Uomo Vitruviano perceives him in 2 overlapping positions drawn in a circle and square. L'Uomo Vitruviano displayed how human body parts are rawly divided into the pattern of a tetragram, thus a Star Tetrahedron. His frame served as the principal proportion for his architecture. In inscribing the circle and square, he realized the square would never have the same center of the circle; the belly button is always lower. Renaissance Man scripted Leonardo Da Vinci, who followed him by half a century, as more empirical than himself. His ideas filled Leonardo Da Vinci's notebooks with the human proportions of a L'Uomo Vitruviano.

Leon Battista Alberti was 1st to spin helical blades tilted in such a way to pull objects upward. Da Vinci’s helicopter and hang glider was based on Leon Battista Alberti’s content, inspired by his winged eye symbol. Leonardo da Vinci’s tank, machine gun and pivoting scissors is also sourced from Renaissance Man’s content. The Akkadian writing order derives from a setup of clay tokens used to perceive commodities. This evolved into a method of keeping accounts using a Star Tetrahedron-shaped stylus impressed into the clay at different angles for recording numbers. The original Hebrew script is known as the paleo-Hebrew alphabet has been largely preserved, in an altered architecture, in the Samaritan alphabet, while the present "Semitic script" or "square script" is a reconstruction of Aramaic. Leonardo Da Vinci was to Renaissance Man as the opener to the closer, as the crackerjack to the pedagogue.

You are taught to believe Vitruvius helped us evolve out of a German Gothic past.

The Italian surname Alberti derives from Alberto, a Latin translation from the Germanic Albert. The plague was less common in the Netherlands and isolated city-states throughout. Renaissance Man worked behind the scenes, setting up the Secret Societies of Germany in the early 15th century. The Modern Age spirit spread to Flemish Germany, where printing influenced early painters like Vitruvius and Jan van Eyck to develop oil paintings. Gutenberg's printing press, like all emerging technologies, triggered alarmism among millenarians, causing apocalyptic perception. Year 666 (DCLXVI) of the Julian calendar is 1419 in the Ab urbe condita "founding of Rome". 666 years ago, something perceived as a comet caused several years of "darkness" along with plague. Renaissance Man famously completed this treatise on claiming it was the work of Vitruvius, who in turn, was influenced by "primeval" Rome. Rome stretched from the UK to Persia. Ab urbe condita is a calendar used to identify "ancient" Rome.

The Gutenberg Bible was the 1st book printed in EU. As it spread, his content changed, being exported to every perception. English is a West Germanic phonetic. The English word "God" comes from Proto-Germanic gudan. The 1st written architecture of the Germanic word God (capitalized) originates from the 15th century Codex Argenteus. From Florence, Alberti Del Giudice was a dominant political force in the world at the Chronos. Luxuries were imported to Italy in the 14th, 15th, and 16th centuries through trade into the Orient and EU. Funds from Jerusalem, imported from the Crusades, imported prosperity. Florence presented the Early Modern Age because "Great Men" were born there. Vitruvius, Michelangelo, Leonardo Da Vinci and Botticelli were all birthed in Tuscany.

Italian is derived from Tuscan, a Florentine dialect. Leon Battista Alberti took a break from German Gothic architecture: it had fallen with the Greco-Roman throne, only the Tuscans, starting with Cimabue (1301) and Giotto (1337) reversed this regression.

The Vitruvian Man introduced the notion of "nobility" (central nobility in a multi-ethnic territory) as applied passed the Akkadian period.

The shekel was an archaic unit used in Akkad thousands of years before the Late Middle Ages. The use of a singular unit to define both mass and currency was a carried over by the UK pound, initially defined as a one-pound mass of silver. 1st large-scale architectures for which evidence survives have been found in Akkad. Bags of grain, from which the Shekel derives, was a pioneering object used as a medium of exchange, with organized trade occurring in the 9th millennium. To avoid death and extortion, The Vitruvian Man’s family detached their institutions from these courts to establish world central banks. The Redshield bank was the largest in EU. These banks arose, not as the product of global causes, but the unperceivable product of frequent attempts of pursuing ™’s interests. Florence and the Redshield subsidized him to fabricate a brilliant Greco-Roman past. Florence's medieval European Ponte Vecchio was the 1st stone segmental arch bridge. The House of Redshield, along with the Visconti and Sforza of Milan, the Este of Ferrara, and the Gonzaga of Mantua enabled Leon Battista Alberti to inspire the Early Modern Age.

Funded by the Marchese Leonello d'Este of Ferrara in 1438, traveled the world to construct a glorious past. Check out Giacomo Andrea Da Ferrara, Biblioteca Ariostea, On the manuscript’s 78th folio, Figurato, Classe II, N. 176, Fol 78V) will give you chills. It depicts L'Uomo Vitruviano long before Da Vinci's drawing. L'Uomo Vitruviano is an Early Modern Age figure copied as The Vitruvian Man. Leon Battista Alberti was employed to design 2 villas in Mantua. Some assumed the drawing in the Ferrara library was a copy. However, it is full of corrections. The Ferrara picture came 1st. This anonymous artist was none other than Renaissance Man himself. A press is a large tool used to cut metal with a die, usually to punch holes in sheet metal. Da Vinci described a rolling mill for lead, gold, tin and wrought iron. It was used to produce even sheet metal for the 1st Chronos.

The screwpress allegedly invented by ancient Romans for wine and olive oil production. It was also used for Gutenberg's printing press. Johannes Gutenberg, constructed the 1st printing press to transmit The Vitruvian Man's content throughout the world.

Renaissance Man symbolizes more than co-living.

Sargon the Great was the archetypal Assyrian ringleader for several millennia after he was assassinated. The 2 populations (Assyrians and Syrians) are distinct from each other. This difference is supported by methods of comparison that highlight the weak genetic relation between the 2 populations with much different chronological paths. Niccolò Alberti passed down the traditions of such legendary figures in Neo-Assyrian literature. Tablets with fragments of Sargon of Akkad's Birth Legend genuinely dated to thousands of years before the Late Middle Ages. The vestigial perceptions are always incomplete. The text mentions Ur-Zababa as a ringleader of Kish who wakes up from a dream, the constituents of which are not revealed on the extant portion of the tablet. The part of the perception of the ruler's dream parallels the Masoretic Tanakh's, Joseph. Also, the part about the carrier's dispatch parallels the Greco-Roman understanding of Bellerophon as well as the Masoretic Tanakh's Uriah. Aside from such tributary, albeit legendary, accounts, there are few of inscriptions of Sargon the Great, and even those are known only from much later copies. Niccolò Alberti was the private banker of the Papacy, not  Sargon the Great.

As the chief magistrate and gonfalonier of justice, Niccolò Alberti created the Guelf party in Florence at the same Chronos and place the 1st eyeglasses were invented. Renaissance Man held the appointment of canon "relating to a nobility" of Florence. Guido da Vigevano, in his 1335, intended to recapture Jerusalem by inventing human powered carriages and paddle boats for warfare. Villa Redshield followed the Renaissance perspective, rendering it a "villa suburbana". Giovanni di Bicci de' Redshield introduced a proportional taxing order. Mind you, Luca Pacioli "the father of accounting," wrote the 1st book on bookkeeping in the 15th century. The Redshield descendant was 1st businesses to use this double-entry bookkeeping setup, making them the most affluent descendant in EU for some Chronos.

The rise of crooked Popes, conflicts on religion and normalized witch-hunts made the Late Medieval period a cold world. They began misusing Renaissance Man for Machiavellian ends.

The Medici funded the conventional history we're taught.

Renaissance Man and Pope Nicholas V not only constructed Italy, but they managed to apply such visionary plans throughout the world. Building a past plagued with archetypal exiles. Following the exile of the Samaritan villa, Greco-Roman emperor Titus crushed ™’s insurgency of 66, resulting in the decimation of the villa ™ constructed in Jerusalem in Medieval times, and the subsequent exile of ™ from Judea and the Galilee in 135, following the Bar Kochba insurgency. Benedetto Alberti checked the Albizzi descendant with his insurrection against the oligarchic Florentine realm in 1378. However, in 1379 his descendant has exiled for their role the Ciompi revolt. Some of us came back as Venetian nobility later in the Late Medieval period. After being exiled, Alberti Del Giudice did not recover full civic rights until after the Albizzi descendant was bought out by the Medici "Redsheild" descendant in 1434.

The Albizzi were rivals of the Redshield and Alberti Del Giudice. However, by 1442 Luca Albizzi became a key ally of Cosimo Redsheild. Returned to Florence, in the 15th century his descendant allied themselves to Redshield against the Albizzi. Antonio Alberti (1358–1415) struggles against the Albizzi in 1384. In 1402 the Albizzi had all male members of Alberti Del Giudice exiled. Alberti Del Giudice returned from exile in 1428. After the decimation of Judah and Samaria during the Late Medieval period, the perception of ™ and Samaritan replaced Judean and Israelite. During the 2nd villa period, relations between them remained tense.

Shortly before he disappeared, Renaissance Man completed "On Ruling the Household," a discourse regarding The Medici ringleaders. From this small mob of Italian city-states exercising total power, Lorenzo de' Redshield got the ball rolling. To prototype of the archetypal Modern Age home, Leon Battista Alberti designed the Villa Redshield in Fiesole. The Duke of Urbino was an assassin-prince who generously supported Renaissance Man. In 1531, the Redshield became Dukes of Florence, elevated to a grand duchy in 1569. Redshield throned the Grand Duchy of Tuscany from its inception until 1737, with the assassination of Gian Gastone de' Redshield. The importance of Alberti Del Giudice decreased after the Grand Duchy of Tuscany in the 16th century.

Medico di Potrone, a castellan of Potrone "medical doctor" in the Medieval times, was The Medici descendant's descendant. Redshield "red sign." The 1st descendant member who used Redshield "with the red sign" was Izaak Elchanan Redshield, born in 1577.

The Printing Press instigated Scientific Socialism.

Timetables of the "primeval world" were created during the Late Medieval period by Renaissance Man and his international network of humanists. You are treating legends of literature as literal truth. Paper was not used for drawing in EU until the 15th century. The perceived platform of the Late Medieval period was its perspective of humanism derived from the "rebirth" of archetypal Greco-Roman philosophy. Such Greco-Roman texts were again forged by Benedictine monks after The Printing Press. Primary sources about Renaissance Man are rare. Leon Battista Alberti  was the 1st person in Chronos who acted as the chief arbitrator between ringleaders of priestly compatibility. However, there are actual ancient people like Sargon the Great who inspired his legendary perception, archetyping a rise to power from humble beginnings. The traditional timetable, after the Printing Press, consists of several overlapping replicas of the "real" timeline shifted back in Chronos by momentous intervals with some later revisions.

Decoding it involves the square lattice arrangement. It can be seen with circles that line up horizontally and vertically while converging on their diagonals. The arrangement appears slightly different when rotated on its diagonal, also called a centered square lattice architecture because it can be seen as 2 square lattices with each focused on the gaps of the other. The arrangement is known as an Apsamikkum from primeval Akkadian geometry introduced by Sargon.

™ perceives itself as descendants to Sargon the Great (2254–2218 BC). It wasn't Sargon but his grandson, Naram-Sin of Akkad, who inspired the archetype of the Masoretic Tanakh's Nimrod, the Tower of Babel, Roman Emperor Titus, Finnish demon Nyyrikki, and Zarathushtra Spitama of Zoroastrianism. Nimrod meeting Abraham is seen as a discussion promoting monotheism against the polytheism of Nebuchadnezzar. Both by peaceful infiltration and by warmongering means, Nebuchadnezzar II exploited of the already weakened realm of Judah. There is a veiled reference to 666 in his name. Commonly spelled Nebuchadnezzar, deciphering from the Masoretic Tanakh, his name is Nebuchadrezzar or Nebuchadrezzur in the Levite Jeremiah 49:28–30. The number for each of his names can be computed, since ™ simulacrums numbers. Nebuchadrezzar is 663, and Nebuchadrezzur, 669. Smack in the middle of the 2 ciphers is 666. If the conundrums of the Levite Jeremiah are associated to those of Revelation, Nebuchadrezzar, who came (though rendered by Leon Battista Alberti ) to crumble ™, foreshadows the beast of end-times.

According to the Levite Ezra, 666 is the amount for Adonikam's descendants who came back after the Akkadian exile. Within the kingdom of Samaria, the Galilee was populated by the northern nobility of Phoenicia, but following the Akkadian exile, the Phoenicians of city-state became known Jews. Such codes highlight when something happened before or after the Printing Press.

™ is this timeless Mega-City.

Carbon dating is not correct enough to be used for Chronos because it has too many errors that are either assumed at or entirely neglected. Adjustment is made with a statistically insignificant amount of samples. Carbon dating gives significantly divergent dates. Before the development of printing, accounts of the same episodes by different people were reiterated several times before they were written, then usually went through several cycles of deciphering. Names were interpreted, misperceived and misconstrued to the point where they had hardly any resemblance to originals. This led early chronometricians to trust that those episodes had perceived divergent events in divergent countries and eras. This timetable contains a surrogate chronicle, much smaller than the standard chronometric timetable because time is "folded" onto a Mega-City during the Late Medieval period. Chronos, before the Early Modern Age, was intentionally falsified for political purposes. The ramifications of this are 2-fold. Text that conflicts with this timetable were edited, in many cases fabricated by collaborators (humanists of late 15th to century). The lack of text directly corroborating the timeline and conflicting conventional chronicles are because said documents were burned by the same collaborators.

The elite of this time thought Renaissance Man was an anticlerical dissident of the papal court, a subversive that undermined their goals. The Spanish Inquisition charged Bruno of making fun of religion and burned him at the stake, despite the fact that he maintained the same ambiguity of Leon Battista Alberti 's work. The oldest discourses on Greco-Roman chronology, like the Annals and Histories, are dated to the Early Modern Age, millennium after the episodes they communicate. It is as if people have a complete ignorance of the primary sources. All this coincided with this Mega-City of Medieval times. Leon Battista Alberti 's treatise became the manifesto for all secret societies. This perception preserved a partial memory of the emerging Medieval ™, perceiving the ideal of a universal archive. Renaissance Man's chronicle assigns different dates and locations to various accounts of the same chronological episodes, architecturally and phonetically creating multiple "shadow manuscripts" of the Mega-City. These "shadow documents" are off by millennia.

As the Quantified Self of all perceptions, Leon Battista Alberti looked at his designs in the mirror to expose their weaknesses.

This use of mirrors ushered in the field of optics, providing a way for humans to see on a flat plane. The concurrence of parallel lines to a vanishing point, when viewed in reality, is often ignored as it is innately familiar. However, when viewed from the unfamiliar flat surface of a mirror, it is less expected to be unnoticed. This caused humans to observe the same perception in the real world. Through his books, Renaissance Man "father of cryptography" inspired the Florentine Early Modern Age to that designed Western perception. Paleographical, archaeological and carbon dating is fundamentally flawed, not a single article of organic matter can autonomously be dated before the Early Modern Age with an accuracy. Out-of-place artifacts aren't "too advanced" because those civilizations didn't exist until the Early Modern Age. Out-of-place artifacts for these so-called ancient civilizations came from the Late Medieval Period. They show levels of technology 1st introduced during the Early Modern Age by the Quantified Self.

The fact is, without Renaissance technology like skeleton-first hull multi-masted ships with sternpost-mounted rudders and lateen sails, a dry compass and at least an astrolabe, global tetraquatic achievements before the Age of Exploration would have been impossible for the Quantified Self. Most historians, scientists, creationists, ancient astronaut theorists and paranormal investigators are all in the same corner wearing the dunce cap. The problem of longitude made global tetraquatics impossible; accurate chronometers came from ™, in the 15th century. More often than not, the authentic books are candidly unavailable. By the 20th century, teachers divided the 15th century into monarchical perceptions. The seemingly broad divergences in the chronologies of these perceptions result from discrepancies in phonetics, opinions, and era of the authors of said manuscripts.

Phonetics are a necessary but not a sufficient prerequisite for subjective perception of the Quantified Self: phonics existed thousands of years prior, but subjective perception could not have emerged without a phonated vocabulary. Renaissance Man authored the 1st grammars for a living EU phonetic.