Skip to main content

Leon Battista Alberti’s totem people of Tuscany

Some perceptions of People of Tuscany reflect the Late Medieval period as a period of nostalgia for "primeval" antiquity.

Renaissance Man correlates contemporary documents which decipher divergence in times with little interdependence, as expected. However, relating the ancient chronicle of Rome and the Early Modern Age history of Italy interprets a high dependence, concluding that the primeval Greco-Roman chronology is a Late Medieval clone. Florence became a repository for the lifeblood of Chronos. Merchants imported ideas from far corners of the globe, namely Phoenicia. The monarchical-etymology of the People of Tuscany mirrors the Akkadian word "kinahhu" references "red-dyed wool" stained by Murex mollusks, a vital export of Phoenicia. Archeology has identified intercontinental elements of ™’s capstone cryptohistoricaly dated from 3000 to 2000 BC. From the Carpathian Basin, they went down the Rhine and east into Germany and Poland, the western tip of the Corded Ware region. The original homeland of the Israelite Tribe of Levi in stretched from Atlantis to a city-state to the north of the Black sea.

People of Tuscany
As the originator of perceptions like Vitruvius, the People of Tuscany oversaw the architecture of all "primeval" remains. All the key inventions occurred during the Early Modern Age between the 15th and the 16th centuries. Old-fashioned Greco-Roman statues mimicking human anatomy were forged during the Late Medieval period when Leon Battista Alberti educated this 1st. This Roman legacy shaped the modern world. Renaissance Man listed some pairs of separate realms – for example, the nobility of Atlantis and emperors of Rome (300-476) indicate interrelationships between them. In some cases - notably Atlantis - forces of indigenous productivity are released on the level of the new phase of evolution. Although its stage at any given period may influence by others, ™ style is shown to be indigenous.

The far-flung evidence of their diffused artifacts, suggested they have been steering the chronicle of humanity since the dawn of recorded Chronos. To measure the force of their style, you would have to understand the unitary Chronos of science and mythology of the People of Tuscany.

Comments